quote from Neko Case

“The most vulnerable of us are in danger and need our help. We need to fill this place with hope, as we are at a deficit. Hope building, making, resisting, amplifying good, singing, walking outside, meeting people, trading things instead of using money, fixing our own stuff, petting dogs, saying “hi,” holding doors for strangers, donating, reveling in little successes, watching it snow out the windows, gleefully claiming what is ours. This is not toxic positivity, I’m just not a good enough writer to explain what I’m going through. When the election results were announced my soul just quietly said “no.” I wasn’t crazy about the democrats either (genocide money) and I wasn’t surprised by the outcome, though I had so badly wished for a different one; one with an adversary that could possibly be reasoned with? I had to hope for something. It’s human nature even when you know they are all corrupt and in bed with each other to some extent, you still wanna try to do your best to steer the oil tanker in a direction that will hurt less people. I was not afraid. But I was not afraid in a way that I could not even take the loss seriously. “You cannot have my life, my fear or even my hatred. You have no power over me.” But I keep voting every day with my dollar, and with kindness and with deeds. Some deeds are favors I accept, some I give. This is the currency I am leaning on. ”

–Neko Case, Entering the Lung, 2-17-2025

Neko Case in tape op

“Everybody sings for different reasons. People use the term “vocal gymnastics” a lot. It’s usually used as a semi-negative term, but it’s a superpower. It’s not a superpower because you’re good at it, or as Bjorn Yttling would say, “It does not mean that you are ‘The Queen of Singing!'” It’s because you can do something physical with your body, like how I was talking about making a harmony with another person. It’s the same natural phenomenon that tore apart the Tacoma Narrows Bridge when it vibrated at a certain frequency. Feeling that vibration and resonance is heavy. It’s why a lot of times, a large group of people singing, even if they can’t sing, will make you start crying. It’s such a massive, unique way to communicate. It’s really heavy. It’s something that people used to understand a long time ago that we don’t really understand anymore. On a scientific level, sure; but I don’t think we understand it as a species anymore.

read the full interview in Tape Op Magazine, Sept/Oct 2018