Neko Case in tape op

“Everybody sings for different reasons. People use the term “vocal gymnastics” a lot. It’s usually used as a semi-negative term, but it’s a superpower. It’s not a superpower because you’re good at it, or as Bjorn Yttling would say, “It does not mean that you are ‘The Queen of Singing!'” It’s because you can do something physical with your body, like how I was talking about making a harmony with another person. It’s the same natural phenomenon that tore apart the Tacoma Narrows Bridge when it vibrated at a certain frequency. Feeling that vibration and resonance is heavy. It’s why a lot of times, a large group of people singing, even if they can’t sing, will make you start crying. It’s such a massive, unique way to communicate. It’s really heavy. It’s something that people used to understand a long time ago that we don’t really understand anymore. On a scientific level, sure; but I don’t think we understand it as a species anymore.

read the full interview in Tape Op Magazine, Sept/Oct 2018

quote from Jeff Tweedy

Every time I think everything in the world completely sucks, we get to go out and play in front of audiences and share something with people that I know is real, and it still exists, and it will always exist, and there will always be more of this [gestures to crowd] than whatever the fuck that is [gestures to the outside world]. Keep inspiring each other, ok? I know you’re already doing that, but just keep doing it. It’ll be ok. Show up for everybody. Show up for your neighbors. Show up. Just show up. Always show up. If you do that, everything’s gonna be fine.”Jeff Tweedy, Newport Folk Festival 2017

Jon Batiste at the newport folk festival

“If I could boil it down to one lesson, it’s that everything is more connected than you think. It’s not only more connected than what we’re taught, but, really, there is no separation. It’s not something that we’re able to conceptualize as musicians or as people who throw ourselves into situations where we have to figure it out. For instance, if we had to go and live in a foreign country and be among a group of people who were supposedly much more different than us, I’m sure after a few years we’d be like, “This actually isn’t that different at all — in fact, it’s the same.” That’s such a fundamental lesson about humanity, and I think music is a really great place to explore that. If we don’t figure out our own understanding of that, then all of these myths and self-imposed barriers that we’ve built up over all this time will continue to just grow and grow. We’ll evolve to become something that we’re not meant to be. I guess the biggest lesson is the same thing that I’ve always been saying as an artist: Everything is way more the same than it is different, and if you just tap into that, the more you really begin to understand what that is. That’s my quest: to de-categorize American music. Music without borders. If I can de-categorize it, then that will be a great example of art reflecting what an ideal space for humanity to live in would be.

 read the full interview in Billboard Magazine 8/6/2018

The War and Treaty in the tennessean

It’s an act of service,” said Blount-Trotter of The War and Treaty’s exhilarating, joyous performances. “To get up there and remind people how great they are, it’s a responsibility for us. We want to bring that joy to our audience.””Our duty as human beings is to love one another … (and) make sure that we all know just how much we matter,” Trotter added. “It’s not that we just matter, but we matter to one another.”The War and Treaty, 8/8/2018

read the full article in The Tennessean